• The Waterway (map)
  • The Waterway, 54 Formosa Street, London W9 2JU

Tickets: pay-what-you-want on the door

Join violinist Fenella Humphreys for a late-night recital of solo violin music at a relaxed canal-side location, featuring Bach’s monumental Ciaconna and the London premiere of one of Maxwell Davies’ last works, his Sonata for Violin Alone.

Fritz Kreisler – Recitativo and Scherzo-Caprice Op. 6
Johann Paul von Westhoff – Suite no. 5 in D minor
Sir Peter Maxwell Davies – Sonata for Violin Alone (London premiere)
J.S. Bach – Ciaconna from Partita no. 2 in D minor BWV 1004
Franz Schubert arr. Heinrich Wilhelm Ernst – Grand Caprice on Schubert’s Erlkönig

Approximate finish 11pm

About Fenella Humphreys

With playing described in the press as ‘alluring’, ‘unforgettable’ and ‘a wonder’, violinist Fenella Humphreys enjoys a busy career combining chamber music and solo work.

Performances have taken her around the world to venues including the Wigmore Hall, the South Bank Centre, and the new Helsinki Music Centre. She has broadcast for the BBC, Classic FM, DeutschlandRadio Berlin, West-Deutsche-Rundfunk, ABC Classic FM (Australia) and Korean radio, and performed the Walton Concerto at the composer’s home at the invitation of the Walton Trust in a performance that was recorded by Canadian TV. 

Fenella performs widely as soloist. Her first concerto recording, of Christopher Wright’s Violin Concerto for Dutton Epoch with the Royal Scottish National Orchestra and Martin Yates was released in 2012 to great critical acclaim (“Fenella Humphreys’s performance is a wonder” International Record Review; “Fenella Humphreys captures the music’s wistful cantabile to perfection, producing a golden tone in all registers with the utmost sensitivity to where every phrase is moving.”  The Strad Magazine), and was selected as Orchestral CD of the Month in a 5 star review in the BBC Music Magazine. 

A number of eminent British composers have written works for Fenella, both in her own right and as a former member of the Lawson Trio.  During 2014/15 Fenella premiered Bach to the Future, a set of 6 new unaccompanied violin works by Cheryl Frances-Hoad, Gordon Crosse, Sally Beamish, Adrian Sutton, Piers Hellawell and Sir Peter Maxwell Davies.   The project has so far seen performances at Aldeburgh, St. Magnus Festival, Presteigne Festival, Ryedale Festival, The Forge, Manchester University, Queen’s University, Belfast etc. and is to be recorded over two CDs for Champs Hill Records.   A “radiant recording” with “golden precision and effortless virtuosity” (Five Stars, The Scotsman) the first of these discs, released in August 2015 was picked by BBC Music Magazine as October 2015's Instrumental disc of the month.

Fenella is a passionate chamber musician, enjoying collaborations with artists including Alexander Baillie, Adrian Brendel, Pekka Kuusisto, Alec Frank-Gemmill and Martin Lovett, and is regularly invited by Steven Isserlis to take part in the prestigious Open Chamber Music at the International Musicians’ Seminar, Prussia Cove.  Concertmaster of the Deutsche Kammerakademie, Fenella also enjoys guest leading and directing various ensembles in Europe, and can be found playing Tango in duo and larger ensembles with the great Uruguayan bandoneonist, Hector Ulises Passarella. 

Fenella’s teachers have included Sidney Griller CBE, Itzhak Rashkovsky, Ida Bieler and David Takeno at the Purcell School, Guildhall School of Music and Drama, and the Robert-Schumann-Hochschule in Düsseldorf where she was awarded the highest attainable marks both for the 'Diplom' exam and the 'Konzertexamen' soloists' diploma.   She has taken part in masterclasses with musicians including Thomas Brandis, Lorand Fenyves, Anthony Marwood, Thomas Riebl and Krzysztof Penderecki.

Fenella plays a beautiful violin from the circle of Peter Guarneri of Venice, kindly on loan from Jonathan Sparey.